 |
Pete
has been a decorative painting professional for over 15 years, beginning in his
native London where he was first inspired by fellow compatriot Jocasta Innes and
her groundbreaking work. Serving his apprenticeship using oil-based paints, which
at the time were the only way to create the finishes he favors, Pete brought his
old-world skills to the US in 1988. After making Texas his permanent home, he
was one of the early students discovering The Faux Effects Decorative Finishing
Studio in Vero Beach, Florida where the founder began training decorative painters
in his revolutionary new water-based system in the early 90's. Since 1994, Pete
has attended many advanced seminars at this school as well as studying advanced
stone and marble techniques at Vandalae Studios in Seattle. |
Years
of experiencing the "feast or famine" of trying to make it solo in the
decorative arts gave Pete the idea of establishing a team of decorative painters
working together to foster creativity and improve the collective quality of their
work. A perfectionist by nature, he was disappointed by much of the crude work
he saw being passed off as professional faux finishes. By assembling a talented
team, he also saw the potential in being able to undertake large commercial jobs
and high-end residences. It was Pete's idea to incorporate architectural ornament
into the mix of products and services at K&P, inspiring the company's unique
blend of both two- and three-dimensional decorative arts.
Pete's
specialties include producing unique multi-dimensional and subtle wall finishes
where there is no evidence of "hand" or indication how the effect was
achieved. A master at reproducing marble, stone, and specialty metallic finishes,
he also serves as the teacher, taskmaster, and role-model for the remainder of
the K&P artists. A natural salesman, Pete's enthusiasm and dry British wit
infect and motivate both his fellow artists and his clients. Pete
has played rugby since boarding school days, and he still plays, coaches, and
watches the game whenever he can. If not on the rugby pitch, his idea of a good
time would include a 4-star California pinot noir, a three-course gourmet meal
(possibly cooked himself), topped off by a fine cigar, a glass of port, and an
evening on the town to hear live music driving a classic British motor car.
|